The Changing Character Hamlet in Act II and Act IV of Shakespeares Hamlet :: Shakespeare Hamlet Essays

The Changing Character Hamlet in snatch II and Act IV of Shakespeares Hamlet In Shakespeares Hamlet, although the character Hamlet makes same points about himself in the soliloquies of Act II and Act IV, he seems to be less self-blaming and more in control of his emotions in the Act IV soliloquy. In the Act IV soliloquy, Hamlet is less self-blaming and more in control of his emotions. In Act II Hamlet blames himself for the delay in his revenge, O, what a rouge and peasant slave am I (22519). He also seems to be more self-abusive in his expressions, Why, what an ass am I (22553). Hamlets deep depression is expressed through his similarity of himself to the lowest and most worthless things he canful think of. However, in the Act IV soliloquy, Hamlet uses logic to reason his delay in killing Claudius, How all occasions do inform against me and spur my frighten away revenge (4432). While he is still a phone number emotional, he is less self-abusive and more in control of his feel ings, How stand I then, that gull a father killed, a mother stained. (4456). Hamlets impose on _or_ oppress of his actions is gentler and less derogatory. He uses reason to explain how certain occasions have delayed him rather than blaming himself for backing out on his plans. In some(prenominal) soliloquies Hamlet makes comparisons between himself and other characters. In Act II he compares himself to an actor and in Act IV he compares himself to Fortinbras. In two soliloquies Hamlet uses the comparisons to put himself down for not carrying out his actions. In Act II Hamlet is angry with himself because he doesnt understand how an actor can get so emotional over a speech that he is reading, while Hamlet, who is actually in the real situation, is passive in his emotions, Is it not monstrous that this player here, but in a fiction, in a dream of passion, could force his soul so to his own conceit. (22520). In Act IV Hamlet expresses admiration for Fortinbras courage and ambition to watch over and to fight for his name and honor, (.led by a delicate and t give uper prince, whose spirit, with nobleman ambition puffed. (4448). Although both comparisons are different, both the actor and Fortinbras make as role-models to Hamlet. He looks up to their actions to spur his ambition for revenge. At the end of each soliloquy Hamlet reaches a state of resolution, in which he seeks to find certain truths about himself and the outside world.